Intro credits to “Pippa”, feature film by Marc Punt which was in theatres as of december 2016. Concept, Design, Animation: Wim Symens Colour Grading: Tom Mulder Production: Independentfilms.be
Read moreClosing credits of the film Brincante.
Read moreTitles designed by Henry Hobson See more title sequences designed by Henry Hobson – https://vimeo.com/channels/393043
Read moreMaurice Binder was hired to design the title sequence, and was involved in a dispute with Eon Production to have his name credited in the film. As Thunderball was the first James Bond film shot in Panavision, Binder had to reshoot the iconic gun barrel scene which permitted him to not only incorporate pinhole photographic […]
Read more“In this movie about a professional photographer, seeking his identity in the streets of palermo, I wanted to show the look and feel of analog photography on a big movie screen. we used ultra high rez scans of contact sheets, you can see dust and fingerprints. combined with the sounddesign a very simple yet strong […]
Read more2009 Emmy nominee for Outstanding Main Title Design Shine designed and animated the title sequence for HBO Films’ “Taking Chance.” Director Ross Katz said, “I had no idea, at the very last stop on the post production calendar, I would discover some of the most innovative artists around, who would not only get under the […]
Read moreShine designed and produced the title sequence for “The To Do List” for CBS Films starring Aubrey Plaza and Bill Hader. The sequence explores iconic objects from the nineties. Custom props were created with embedded credits. The sequence was intended to introduce the tightly-wound personality of Brandy Klark (Aubrey Plaza). Director Maggie Carey described the […]
Read moreShine designed and animated a main title for “The Vow.” The neon Music Box theater sign was created and modeled entirely in 3D. Each credit was animated to suggest the idea of disappearing memories. This was the second sequence that Shine has created for director Michael Sucsy. Shine revealed the titles by integrating the type […]
Read morePsychedelically influenced onslaught of credits, this is something to be experienced rather than read through. Tom Kan created a number of typographic designs inspired by movie posters and used incredibly quick editing to a banging soundtrack by acid house pioneers ‘LFO’.
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